annabunches.net/_posts/media/2011-05-29-doctor-who-rebel-flesh-almost-people.html

---
layout: post
title: 'Doctor Who: The Rebel Flesh / The Almost People'
date: '2011-05-29T20:11:00.000-04:00'
author: Anna Wiggins
tags:
- Media
- Doctor Who
modified_time: '2013-10-22T11:19:50.959-04:00'
blogger_id: tag:blogger.com,1999:blog-4209116010564764361.post-4899912926075775844
blogger_orig_url: http://www.stringofbits.net/2011/05/doctor-who-rebel-flesh-almost-people.html
---

<strong>Spoiler Warning: If you haven't seen these episodes yet, River Song would disapprove of your reading any further. I'm pretty much going to spoil every spoilable part of the story.</strong><br/><br/><a name='more'></a><br/><br/>I haven't seen a lot of classic Who. I've seen a reasonable amount, though, and I have read the excellent discussions of the Troughton era so far over at <a href="http://tardiseruditorum.blogspot.com">The TARDIS Eruditorum</a>. And so, when I watched The Rebel Flesh, it was pretty clearly not just a base under siege story, but an homage to Troughton. And it does the base under siege in new Who style fantastically. And the thing that new Who does well consistently is to take a very personal, human story and make it feel epic. Or, occasionally, to take a very epic story and make it feel personal and human. Here what we have is mostly the former.<br/><br/>The story manages to make us empathize alternately with the humans, who are callous in their treatment of the gangers, and the gangers, who want to kill their human counterparts and replace them. Playing a character and an almost-but-not-quite-identical version of that character is an impressive feat, and all of the actors in this story are up to the task.<br/><br/>Rory continues to grow on me, as he has been steadily since he came back to life as a Roman. Arthur Darvill's performance here is superb; he's grown as an actor noticeably throughout his stay on the show. More impressive, though, is Matt Smith's performance. I've said before that he is a great Doctor, but simply not as good an <em>actor</em> as Tennant. While I stand by that generally, in this episode he delivers an amazing performance. In particular, the scene where he speaks on behalf of the flesh, getting angry at Amy and begging not to be asked to die again was chilling. It recalled Eccleston's screaming at the Dalek in <em>Dalek</em>, and was wonderfully delivered.<br/><br/>There were only a few weak points in the story. Foremost was the absolutely atrocious child actor brought in near the end of The Almost People. It was actively hard to suspend my disbelief and accept that this kid was Jimmy's son, and it was the one moment that really pulled me out of the narrative. The other weakness the story had was a general sprawling feeling in its pacing; it felt a bit less focused than the rest of this season has. But this wasn't a serious issue by any means. The emotional content of the episode carried it through the rough patches.<br/><br/>But now, let's talk about what everyone wants to talk about - the reveals.The first reveal - that the Doctors had switched places, and thus Amy had told the Doctor of his impending death, was fantastic, even if it was a bit predictable. More importantly, it didn't seem to surprise him - either he was too committed to pretending to be a ganger to let his surprise show, or he already knew about his death on the beach. Either way, that suggests that the Doctor knows more than he has let on. And, as I'll explore below, he definitely seems to have a plan.<br/><br/>So, the second reveal was totally unexpected. I absolutely didn't see it coming, at least, and anyone who says they did is probably lying, or has stolen Moffat's production notes. To recap: the Amy travelling with the Doctor and Rory has been a Flesh copy since (presumably) her capture in the orphanage in <em>Day of the Moon</em>. What's more, the Doctor already knows, and has probably known for a while. Throughout the episode he tells Amy things that suggest this: to ignore Eye Patch Lady, to 'breathe', and 'to push, but only when she tells you'. What's more, the reason he came to the monastery in the first place was to learn enough about the Flesh to sever its connection to Amy as humanely as possible.<br/><br/>This suggests he has known that Amy wasn't human since he first scanned her and learned about her pregnancy in <em>Day of the Moon</em>. He also seems to know more about her present situation than he has any right to. The question that remains is why he chose this moment to make th
Import blogger data. 2016-04-11 22:01:00 +00:00			`---`
			`layout: post`
			`title: 'Doctor Who: The Rebel Flesh / The Almost People'`
			`date: '2011-05-29T20:11:00.000-04:00'`
			`author: Anna Wiggins`
			`tags:`
			`- Media`
			`- Doctor Who`
			`modified_time: '2013-10-22T11:19:50.959-04:00'`
			`blogger_id: tag:blogger.com,1999:blog-4209116010564764361.post-4899912926075775844`
			`blogger_orig_url: http://www.stringofbits.net/2011/05/doctor-who-rebel-flesh-almost-people.html`
			`---`

			<strong>Spoiler Warning: If you haven't seen these episodes yet, River Song would disapprove of your reading any further. I'm pretty much going to spoil every spoilable part of the story.</strong><br/><br/><a name='more'></a><br/><br/>I haven't seen a lot of classic Who. I've seen a reasonable amount, though, and I have read the excellent discussions of the Troughton era so far over at <a href="http://tardiseruditorum.blogspot.com">The TARDIS Eruditorum</a>. And so, when I watched The Rebel Flesh, it was pretty clearly not just a base under siege story, but an homage to Troughton. And it does the base under siege in new Who style fantastically. And the thing that new Who does well consistently is to take a very personal, human story and make it feel epic. Or, occasionally, to take a very epic story and make it feel personal and human. Here what we have is mostly the former.<br/><br/>The story manages to make us empathize alternately with the humans, who are callous in their treatment of the gangers, and the gangers, who want to kill their human counterparts and replace them. Playing a character and an almost-but-not-quite-identical version of that character is an impressive feat, and all of the actors in this story are up to the task.<br/><br/>Rory continues to grow on me, as he has been steadily since he came back to life as a Roman. Arthur Darvill's performance here is superb; he's grown as an actor noticeably throughout his stay on the show. More impressive, though, is Matt Smith's performance. I've said before that he is a great Doctor, but simply not as good an <em>actor</em> as Tennant. While I stand by that generally, in this episode he delivers an amazing performance. In particular, the scene where he speaks on behalf of the flesh, getting angry at Amy and begging not to be asked to die again was chilling. It recalled Eccleston's screaming at the Dalek in <em>Dalek</em>, and was wonderfully delivered.<br/><br/>There were only a few weak points in the story. Foremost was the absolutely atrocious child actor brought in near the end of The Almost People. It was actively hard to suspend my disbelief and accept that this kid was Jimmy's son, and it was the one moment that really pulled me out of the narrative. The other weakness the story had was a general sprawling feeling in its pacing; it felt a bit less focused than the rest of this season has. But this wasn't a serious issue by any means. The emotional content of the episode carried it through the rough patches.<br/><br/>But now, let's talk about what everyone wants to talk about - the reveals.The first reveal - that the Doctors had switched places, and thus Amy had told the Doctor of his impending death, was fantastic, even if it was a bit predictable. More importantly, it didn't seem to surprise him - either he was too committed to pretending to be a ganger to let his surprise show, or he already knew about his death on the beach. Either way, that suggests that the Doctor knows more than he has let on. And, as I'll explore below, he definitely seems to have a plan.<br/><br/>So, the second reveal was totally unexpected. I absolutely didn't see it coming, at least, and anyone who says they did is probably lying, or has stolen Moffat's production notes. To recap: the Amy travelling with the Doctor and Rory has been a Flesh copy since (presumably) her capture in the orphanage in <em>Day of the Moon</em>. What's more, the Doctor already knows, and has probably known for a while. Throughout the episode he tells Amy things that suggest this: to ignore Eye Patch Lady, to 'breathe', and 'to push, but only when she tells you'. What's more, the reason he came to the monastery in the first place was to learn enough about the Flesh to sever its connection to Amy as humanely as possible.<br/><br/>This suggests he has known that Amy wasn't human since he first scanned her and learned about her pregnancy in <em>Day of the Moon</em>. He also seems to know more about her present situation than he has any right to. The question that remains is why he chose this moment to make th